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This work presents a
series of field recordings made in several cities in
Europe, Asia, and Africa in 2001 and 2003. The idea was
to document certain acoustic urban settings – the
fact. The sounds were recorded with a stereo microphone and saved on a mini-disk digital recorder. This technology represents the filter that transforms the original acoustic setting into binary code – the artifact. These tracks are components of a technocratic, global vision. They are witnesses to places and moments in the form of a digital language CD contains 8 tracks. |
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